Black lubricant.
Coconut oil, charcoal, sage, glass, wax, linen, wood.
Un-numbered multiples
2014
2011 - ongoing
14 7/8" x 13 ½" x 3" (approx.)
custom-milled redwood stretchers, stretched paper, copper tacks, red graphite, blood.
From an accidental injury an amount of the blood let is used to paint in a portion of the ‘Accidental Vampire’ then from the opposite side of my body in the same location an amount of blood is taken to paint in a portion of the ‘Intentional Vampire’. Ongoing project.
2011 - ongoing multiples
10” x 10” x 12”
Dowel, linen, nylon, elastic, paper patterns, mail correspondence.
Content: These objects were produced through the mail using a bartering process with the artist’s mother which allowed for miscommunication and assumption. The ambiguous “purpose” of the work was never addressed in communications aside from certain parameters such as arm dimensions, elasticity measurements and the ability to collapse. The resulting barter is described as a painting of the artist running on a dirt road at night training for cross-country, which has yet to be paid.
2011 - ongoing multiples (Installation view Headlands Center for the Arts, Sausalito, CA. 2013)
10” x 10” x 12”
Dowel, linen, nylon, elastic, paper patterns, mail correspondence.
Content: These objects were produced through the mail using a bartering process with the artist’s mother which allowed for miscommunication and assumption. The ambiguous “purpose” of the work was never addressed in communications aside from certain parameters such as arm dimensions, elasticity measurements and the ability to collapse. The resulting barter is described as a painting of the artist running on a dirt road at night training for cross-country, which has yet to be paid.
Installation view 2013 University of Maryland
