2011-ongoing (production view 2017)
7" diameter x 3/16"
Glass, sand, cotton.
Sand collected off the bodies of beach goers as well as the artist, through volunteerism and exchange at nude beaches is used to create sanding gloves to erode the transparency of glass discs.

2011-ongoing
Glass, sand, aluminum, wood.
Installation view: Yerba Buena Center for the Arts, San Francisco, CA.
Sand collected off the bodies of beach goers as well as the artist, through volunteerism and exchange at nude beaches was used to create sanding gloves to erode the transparency of a 100 lbs, one inch thick, piece of glass. A double paned glass vessel holding the remainder of the sand lays below the suspended and sanded glass. Viewers are able to walk around and look through the glass.

2011 - ongoing (2016)
19" x 12" x 5 3/4"
Poplar, sand, glass, cork.
Sand collected off the bodies of beach goers as well as the artist, through volunteerism and exchange at nude beaches was used to create sanding gloves to erode the transparency of adouble paned glass vessel holding the remainder of the sand.

2011-ongoing (2017)
Installation view 2017
Glass, sand, wood, trail dirt.
Sand collected off the bodies of beach goers as well as the artist, through volunteerism and exchange at nude beaches is used to create shifting sand-scapes. Dirt from trails to the more remote beach is scattered on the floor prior to installation.

2011-ongoing (production view 2017)
Dimensions variable.
Glass, sand, wood, trail dirt.
Sand collected off the bodies of beach goers as well as the artist, through volunteerism and exchange at nude beaches is used to create shifting sand-scapes. Dirt from trails to the more remote beach is scattered on the floor prior to installation.




2011-ongoing (production view 2017)
7" diameter x 3/16"
Glass, sand, cotton.
Sand collected off the bodies of beach goers as well as the artist, through volunteerism and exchange at nude beaches is used to create sanding gloves to erode the transparency of glass discs.
2011-ongoing
Glass, sand, aluminum, wood.
Installation view: Yerba Buena Center for the Arts, San Francisco, CA.
Sand collected off the bodies of beach goers as well as the artist, through volunteerism and exchange at nude beaches was used to create sanding gloves to erode the transparency of a 100 lbs, one inch thick, piece of glass. A double paned glass vessel holding the remainder of the sand lays below the suspended and sanded glass. Viewers are able to walk around and look through the glass.
2011 - ongoing (2016)
19" x 12" x 5 3/4"
Poplar, sand, glass, cork.
Sand collected off the bodies of beach goers as well as the artist, through volunteerism and exchange at nude beaches was used to create sanding gloves to erode the transparency of adouble paned glass vessel holding the remainder of the sand.
2011-ongoing (2017)
Installation view 2017
Glass, sand, wood, trail dirt.
Sand collected off the bodies of beach goers as well as the artist, through volunteerism and exchange at nude beaches is used to create shifting sand-scapes. Dirt from trails to the more remote beach is scattered on the floor prior to installation.
2011-ongoing (production view 2017)
Dimensions variable.
Glass, sand, wood, trail dirt.
Sand collected off the bodies of beach goers as well as the artist, through volunteerism and exchange at nude beaches is used to create shifting sand-scapes. Dirt from trails to the more remote beach is scattered on the floor prior to installation.